Sobrang daming ganap ngayon sa P-pop world, am i right? If you’ve been scrolling through social media lately—or even just listening to the radio—you’ve probably noticed how SB19’s members are branching out from the group’s signature hits. Their individual solo endeavors are getting as much buzz as their collective releases. Nakakabilib, right? Let’s dig into why these solo projects are such a big deal and how they’re shaking up the Philippine music industry.
Listen to Podcast: A Deep Dive
The Growth of SB19’s Solo Endeavors
SB19 is composed of five members: Pablo, Josh, Stell, Ken, and Justin. These guys first stole the spotlight for their tight harmonies, precise choreography, and a unique blend of K-pop inspirations with Pinoy flair. Over time, each member decided to launch solo projects—an exciting shift that has fans and music insiders talking. Parang barkada na gustong makita kung ano’ng kayang gawin ng bawat isa kapag sila lang mag-isa.
- Pablo: The group’s leader and known for his production skills, taking a deeper, introspective route in his music.
- Josh: Bringing hip-hop to the forefront with edgy beats and raw lyricism.
- Stell: The soul-stirring balladeer, ready to melt hearts with emotional performances.
- Ken (Felip): Venturing into darker, more experimental sounds that stand out from typical P-pop.
- Justin: Showcasing a chill, dreamy vibe that appeals to listeners looking for something lighter.
Even if you’re not part of the A’TIN fandom, there’s no denying that each member’s fresh focus expands the breadth of Filipino music. From rap hooks to ballads, SB19’s solo ventures prove that the local scene is broad enough for all these flavors to coexist—and thrive.
Pablo’s Reflective Productions
Pablo (formerly known as Sejun) is that friend who always thinks deeply about everything, from social issues to personal growth. When he dropped his own work, fans got a taste of how he fuses R&B, hip-hop, and a sprinkle of experimental beats. His solo pieces are like a conversation—parang chinichika ka lang niya about life, dreams, and the state of the world.
One of the best things about Pablo’s approach is how he stays rooted in OPM. You’ll hear Tagalog lyrics, local references, and an overall Pinoy vibe that stands proudly on a global stage. This blend of modern and traditional is winning hearts in the country and even abroad. For an inside look at how OPM has evolved over the years, you might want to check out our brief history of modern Filipino music.
Josh’s Hip-Hop Domination
Josh Cullen took a bold step into hip-hop territory, and let me tell you—he’s earning respect from all sides. His single “Wild Tonight” even snagged the Hip Hop Song of the Year at a top local award show. Astig!
- Gritty lyrics. Josh goes in hard on topics like personal empowerment and Pinoy pride.
- Catchy beats. If you’re looking for something to blast in your car or headphones, his tracks deliver the goods.
- Broad appeal. Even folks who aren’t typically hip-hop fans find themselves vibing to his songs.
Josh’s solo moves highlight how Philippine rap isn’t just a side note in the music industry—it’s front and center. Want more rap picks? Head over to our list of rising Filipino rap stars to see who else is repping the local hip-hop scene.
Stell’s Ballad Breakthrough
Stell is the group’s “Mr. Golden Voice.” His ballads somehow make you want to call your ex or hug a loved one. Under Warner Music Philippines, he launched “Room,” a heartfelt track that grabbed listeners by the collar—ouch, sobrang hugot! What sets Stell apart is how he can convey raw emotion without resorting to over-the-top dramatics. Wala nang mas personal pa than just standing there and letting your voice do the talking.
Read next: Siargao, Philippines: The Ultimate 2025 Travel Guide to Paradise
Why Fans Love It:
- Universal Themes – Love, heartbreak, hope—they’re all in there.
- Soothing Vibe – Perfect pang-relax after a stressful day.
- Vocal Power – Stell’s range and control are no joke.
According to Billboard (external link), Filipino ballads have seen a surge in popularity on streaming platforms. Stell’s releases add to the momentum, proving that the demand for heartfelt, local music is alive and kicking.
Ken’s Darker Approach
Ken, who’s also recognized by his name Felip, stepped away from the standard P-pop vibe and served up a darker, more alternative flavor. Hindi siya natatakot to experiment, and while some critics claim his stuff is too edgy for mainstream listeners, fans are loving the boldness. Tracks like “Bulan” take a grittier turn, fusing rap bars, haunting melodies, and layered instrumentals.
Common Feedback:
- Forward-thinking: People praise his fearless creativity.
- Niche Market: Some say the style is “too different” from SB19’s brand.
- Global Potential: There’s room for these moody, genre-bending projects in the international market.
For a deeper look into how alternative influences are reshaping local pop, be sure to read our feature on indie music trends in the Philippines.
Justin’s Laid-Back Charm
Justin might be the youngest member, but his solo track “Surreal” proves he’s got some serious artistry behind that baby face. The song delivers a dreamy, almost lo-fi vibe that resonates with chill-pop lovers. Fans appreciate the simplicity—walang drama, just pure, relaxing tunes that let them unwind after a long day.
What Sets Justin Apart?
- Youthful Sound: Perfect for Gen Z and younger Millennials who want a fresh approach to pop.
- Versatility: He can rock a stage with SB19, then flip into a softer, more carefree solo identity.
- Relatable Themes: He sings about daydreams, youthful experiences, and that sweet spot between imagination and reality.
Praise vs. Criticism: The Ongoing Discussion
Much like any artistic evolution, SB19’s solo ventures come with both cheers and jeers. Here’s a quick look at the main points:
Praise
- Fresh Energy: Each member expands the possibilities for what OPM can sound like.
- Cultural Promotion: They lace Filipino culture into their music, boosting Pinoy pride here and abroad.
- A’TIN Support: The fandom is all-in, proving that even separate releases can unify a group’s base.
Criticism
- Style Shift: Traditional fans of the group’s cohesive sound find some solo outings a bit jarring.
- Group Identity: There’s a debate on whether too many individual releases weaken SB19’s group image.
- Risky Experimentation: Venturing outside the usual P-pop territory could alienate fans expecting the same formula.
If you want to see more variety in OPM, these solo projects are a breath of fresh air. But for those who prefer the original group setup, it can be a little confusing. Ultimately, it sparks dialogue—everyone’s got an opinion, which is a good sign for a thriving industry. For another angle, check out Rolling Stone’s coverage of SB19’s rapid rise.
Read next: SB19’s ‘Pagtatag!’: Redefining Filipino Music on the Global Stage
Looking Ahead: SB19’s Continuing Influence
The Philippine music industry is gaining more attention worldwide, and SB19’s solo releases are part of that momentum. Whether it’s Josh’s award-winning hip-hop track, Pablo’s introspective songwriting, Stell’s heart-wrenching ballads, Ken’s brooding alternative pieces, or Justin’s dreamy pop vibe, there’s an SB19 member covering almost every corner of modern Filipino music. That kind of variety not only keeps fans excited but also draws in new listeners who might’ve never discovered OPM otherwise.
Challenges
- Coordinating group and solo schedules without burning out.
- Satisfying fans who love the group’s unity, while also nurturing each member’s individual growth.
- Standing out in a crowded music landscape, both locally and globally.
Opportunities
- More global collabs as each member carves a distinct musical identity.
- Setting an example for other P-pop groups who might be considering solo ventures.
- Showcasing Filipino talent on a wider scale, encouraging more diversity in OPM.
Conclusion
SB19’s solo journeys have created buzz, opened new creative pathways, and tested the boundaries of what Filipino pop music can be. Kung tatanungin mo ako, this is just the start. They’ve proven that each member has the chops to stand on his own—and that solo success can feed back into the group’s collective energy. By pushing different genres and themes, they’re making a bold statement: Filipino artists can dominate any music style, anywhere in the world.
If there’s one takeaway, it’s this: we should celebrate the sheer variety of Pinoy creativity. Whether you’re a die-hard A’TIN or just a casual listener, these solo projects offer a glimpse of what’s possible when artists follow their own paths. May inspirasyon ba kayo d’yan? Then keep listening, keep streaming, and keep supporting local talent. SB19—and Filipino music, in general—continues to evolve, and that’s something we can all be proud of.